At long last, I present for you my top album of the year.
#1

The Helio Sequence - Keep Your Eyes Ahead
After a forced four year hiatus, The Helio Sequence returns with a great American rock album that should make us all wonder why we didn’t miss them more while they were gone. Relentless touring in support of their last album Love and Distance put too much strain on the voice of front man Brandon Summers and he had to stop singing altogether. Good thing his incredibly talented drummer and band mate Benjamin Weikel waited for him to heal because the duo is, indeed, dynamic. They return with force in 2008 with the mature yet easy-on-the-ears Keep Your Eyes Ahead, an album that must not be missed.
How such a large amount of quality sound can come from a group of just two is hard to fathom. Layers of electric guitar sounds, acoustic guitar strums, keyboard lines, blips and bleeps mix together with the solid and steady drumming to create a sound that is more indicative of a full band. These excellent musical constructions are coupled with well-thought-out and well delivered lyrics that make up songs that are familiar but never boring.
It’s the most solid album in the group’s discography, haunting with moments of near perfection.
Alternative Press
[Mar 2008, p.140]
I pulled the above quote from Metacritic.com and it’s hard for me not to agree with the “near perfection” sentiment. This is an album that I could listen to from start to finish just about any time or anywhere. And if you have not heard it yet, you need to see if you agree as soon as you have a free 40 minutes.
Finally, after my blast of a trip to Portland, Oregon this past summer, I feel a stronger draw to people from the great Pacific Northwest. The members of Helio Sequence happen to hail from that great town and I can’t say that that fact had nothing to do with this selection.

The ironically named Lately is the album’s first song and the lyrics almost echo what must be the thought in Summer’s mind. While he is talking about a former lover, the lyrics could also refer to a music public that most likely wrote the band off as a flash in the pan. “Lately I don’t think of you at all.”
While the first four songs of the album are solid and steady rock tunes, the album rests a bit with Shed Your Love. This thought provoking song about a person who is trying to get over a lost love borders on sad. But the excellent guitar work by Summers makes the song entirely listenable.
“Drank the dark wine of the New York night
My shattered mind across the borderline
Spent the night in someone else’s arms
Shed your love, shed your love
Shed your love, shed your love
On a subway train before the dawn
The ride was short but my thoughts were long
Couldn’t figure what got in to me
Shed your love, shed your love
Shed your love, shed your love”
But just when you think that Shed Your Love’s gentle finger-picked guitar and equally gentle vocals might induce nap time, the album gives way to the hard hitting and creatively composed title track Keep Your Eyes Ahead. When the double cymbal crash at :21 kicks the song into high gear, it is obvious that no sleep is needed. Be sure to check the drumming closely in each verse (verse one starts at 1:19 elapsed.) The tom roll followed by the tripping snare is to be admired.
Even the video for Keep Your Eyes Ahead is engaging with a travelling box of a stage housing both members and surrounding them with lights, magnifying glasses, and colored liquid. All this is done outside where the falling snow indicates just how cold the filming must have been. If you are interested, see the link below (just be sure to hit the back button after the video to finish the review.)
http://www.youtube.com/watch?v=QIicqULYhGw
Hallelujah calls us to “move around with ease” and to this steadily marching track, it’s easy to do. The solo which begins at 2:11 won’t blow you away with technical guitar excellence but it’s building layers and sounds enchant and add to an already excellent song.
The album is complete with the lo-fi romp of No Regrets. What sounds like a song recorded at a party of friends is actually a song with a challenging message and folk sensibility. The harmonica and vocal delivery are quite obviously Dylan-influenced and done to near perfection. How fitting that a singer with vocal problems would want to send the album off with a Dylan feel.
“Well, I lived my whole life
When I saw your face, sayin’
“Please don’t leave me now.”
Well, I cry a lot
When I see your face, sayin’
“Please now leave me down.”
And when that sun sets
I’ll have no regrets
I’ll walk out that door
I’ll shed all my faith
And I wont shed a tear”
Any 37-minute, 10-song album that boasts more than one or two memorable tunes seems increasingly rare in our current download-ready singles era, but this is such an album.
By Mason Jones
http://www.dustedmagazine.com/reviews/4066

Check the band on the web at:
http://www.subpop.com/artists/the_helio_sequence
http://www.myspace.com/theheliosequence
So tell me what you think by posting a comment, I do enjoy reading your thoughts. And if you have posted a comment already, check the replies, I may have replied to you with a comment of my own.